This is the bare minimum they seem to ask for, though we were ultimately asked to go back three or four. Basically, what they’re looking for is some sort of average that you make per year, which their number crunchers will put in a formula to figure out how much you can afford.
Once the band and venue begin to show interest, the next thing to do is lock down a confirmed date. This can take some back and forth. Talented people and popular venues are always busy, but that shouldn’t be a huge issue. Just be patient. When asking about dates, always be prepared to suggest a couple alternatives so you can enjoy some flexibility. When the date is locked down, it’s time to talk about money.
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Course: The Art of Hip-Hop Production
Next up, it’s the lowdown on all 40 songs, ordered by weeks at #1, then on down to weeks in the Top 5 in descending order. So we start with the king of 2018.
“Call Out My Name”: Hey-hey, look, it’s another compound meter, with an ultra-slow 45 BPM tempo. By comparison, the slowest tempo we reached in last year’s Chartmania was 57 BPM — also a compound meter. The form here is why they made up the word “formulaic.” Though perhaps the absence of any tricks lays a foundation for Abel Tesfaye to take more liberties with his phrasing, starting his melodies first where you’d expect them, later well before the bar lines dictate, and then after the bar lines for a stumbling, dizzying effect. Watch out in the outro for the strong G♭ in the bass making a good argument for a G♭6 chord. Then again, it may be a first inversion E♭.
Then, you look at your profits. Any revenue from royalties, playing gigs, selling CDs, etc. To help you out, here is a sample Profit and Loss form. Feel free to edit it as needed or create your own!
“Stefano and I focused in on a couple things: the sound design of his digital strings, achieving simplicity and dynamism in the arrangement, and drawing out emotions through the piece. Stefano worked in the DAW rather than through notation, and so we played with realism by leaving the grid behind and allowing individual instruments to shine through. We also worked on simplifying elements of the arrangements, particularly the chordal and polyphonic textures, so that the main melodies felt clear and coherent.
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When you’re a musician, it helps to have a job that you can take off every now and then when you go on tour or into the studio, here’s a few of our faves!
Prechoruses can either be repeated before each chorus (and used occasionally as a bridge) or they can be taken out after they are used the first time. Either works just fine, as long as you build your song around its use with intention. The prechorus is an important tool for writers to test out in order to tie any loose ends together, or add new melodic hooks in to beef the song’s singability up. Definitely take the time to experiment with this form.
+ Learning to record and mix at home? Soundfly’s intermediate and advanced mixing courses combine video content with 1:1 coaching from a pro engineer, so you can improve your skills and get critical feedback on your work. Or, work with a Mentor on your mixes in a custom month-long session.
One of the most valuable skills a musician can have is being able to identify musical intervals by ear. Once you can comfortably pick out musical intervals as you hear them, you are officially on your way towards the upper echelons of musical ability. But, let’s step back for a moment. What is an interval?
Every week, your mentor will send you a specific activity or two intended to get you closer to your stated goal for the course. These activities are designed to be practical and push you to use your new skills right away.